I’ve admired the work of artist Aaron Blaise for a while now, both for his incredibly diverse style as well as how beautiful even the most simple sketch can be. Inspired by his utterly gorgeous sketches on toned paper I thought I’d have a go myself, and used a white pencil, gel pen and a biro to draw an Atlantic sea nettle. It was really enjoyable, and definitely something I’m going to do more of!
Recently I planted Critically Endangered staghorn coral on a reef.
That is the coolest sentence I have ever typed. A few weeks ago I joined my coworkers and some wonderful volunteers from Georgia Aquarium (a sponsor of this project) on a trip to Key Largo to spend some time with the Coral Restoration Foundation. We’d been planning it for a while and I was beyond excited: not only was this going to be my first ever trip to the Florida Keys, but it was my first time diving in a couple of years and I was excited to be taking part in such an important conservation project. I celebrate the ocean and its wildlife through my artwork, but it’s also vital for me to put this appreciation into action.
The Coral Restoration Foundation is a non-profit organisation that creates offshore coral nurseries and programs to help restore reefs. CRF’s techniques were developed to be accessible and affordable, meaning they can be implemented around the world and can currently be seen in action in Bonaire and Colombia as well as in the Florida Keys National Marine Sanctuary. One of these techniques is an innovative “tree” design, which allows fragments of coral to be suspended on a framework that floats in the water column. All coral fragments in the nursery are categorized by genotype; since this project takes advantage of corals’ ability to reproduce asexually it’s important that genetic diversity is maintained. When the fragments on the trees are mature enough, they’re taken to a depleted reef to be outplanted. Hopefully, those outplanted corals will get established and form a healthy new colony.
Friday 6th June: Helping in the Nursery
Our morning started with a fun session at CRF’s headquarters where we learned more about the organisation’s origin, mission, and its various farming methods and the pros/cons of each (except the “tree” technique, which is remarkably successful!). As a professional marine educator myself it was awesome to see the CRF interns, who led the session, so pumped up and excited about their work and about corals. It was contagious! We couldn’t wait to get hands-on, using old fragments to practice looping and threading the wire before crimping it in place with pliers. It was also really reinforcing to see a print by Wyland on display – I’ve been an Ocean Artists Society member for two years and am proud to be following in one of our founders’ footsteps in supporting this brilliant cause.
After lunch, we met with Keys Diver to head out to the CRF nursery. It felt AMAZING to be back on the water. Before I moved to Atlanta I spent my entire life in Torquay, England, and was spoiled by its close proximity to the sea. Every time I return to the coast now it’s like seeing an old friend again. Unlike the slightly chillier waters of the UK though, the view from the boat zipping out from the Key Largo horizon was like looking down through turquoise glass – I could see all the way to the bottom. When we reached our destination we could see the trees and the live rock beds of the nursery clearly from above the surface. I felt giddy, and it wasn’t just motion sickness; I’d been admiring CRF’s work for years, and to be seeing it with my own eyes was quite moving. Descending 30 feet down and being among the rows and rows of trees is a sight I won’t soon forget. It’s just such an awesome conservation effort.
Our group was split into smaller ones to be guided by a CRF team leader. Blue Team, clearly the most awesome one (not that I’m biased…) started by using brushes and chisels to scrape algae growth off the framework of the trees. We were very quickly joined by a fanclub of hogfish, angelfish and wrasses that swarmed around us to pick up the tasty morsels we were removing. I felt not unlike a Disney princess, albeit one with a tank of high pressure gas on my back and a rather fetching mask. It was right here that I got my first experience with fire coral. That’s some fun stuff!
After cleaning trees, we took new fragments of staghorn coral and suspended them from the upper branches. It was immensely satisfying to place a brand new piece of coral in the nursery. Grow, little guys, grow!
Saturday 7th June
Outplanting day! After helping out in the nursery the day before, Saturday’s dives would see us taking mature staghorn fragments out to Pickles Reef, an area southeast of Key Largo. Before we set out, we had another fun morning at the CRF building as we learned exactly how outplanting worked. Using Play-Doh as our epoxy, we practiced finding appropriate attachment points for coral fragments and how to place them on the reef.
Our journey to Pickles Reef first took us for a brief stop at the nursery so that the CRF team could collect the fragments from the day before. While we waited on the boat, who should surface alongside us but Ken Nedimyer, Coral Restoration Foundation founder and CNN Hero!
We were all eager to get in the water with our corals once we arrived. I was especially raring to go because this would be my very first reef dive! Pickles Reef isn’t very deep, but it really is beautiful. It was awesome to see it so vibrant with life – parrotfish, grunts, porkfish, and yellow stingrays to name a few. We even saw some staghorn corals that had already become established.
Our team leader selected an appropriate spot for us to get to work. We used hammers to scrape algae off the reef and create a clear spot to place our coral, ensuring that each of us was keeping our pieces in close proximity to each other so that it would be easier for them to come together to form a new colony. Once we’d cleared three anchor points (three means more stability for the fragments), we used a special non-toxic epoxy to adhere the coral to the reef and then waved our hands over it, creating a little bit of motion, to make sure it was secure. The epoxy would set in about 45 minutes. During this whole process we were joined by a school of juvenile bluehead wrasses, who were adorable! I liked to think of them as little supervisors checking up on our progress. It was really encouraging to watch these little fish immediately begin utilising our newly placed coral as a habitat, darting underneath it and munching on the algae we’d removed.
Bonus video! I’m on the right, and partway through you can see me inspect a new fire coral sting on my hand. Told you that stuff was fun. Video taken by Terri Frazier.
Altogether, our team planted dozens of staghorn coral fragments on Pickles Reef. I personally planted six, and it remains the coolest thing I’ve ever done. I really hope to take part in this project again in the future and donate more of my time to CRF, whose efforts in restoring reef habitats are second to none. I’d love to return to Pickles Reef in a few years and see how “my” staghorn fragments are getting along!
If you’d like to support the Coral Restoration Foundation, check out their website to see how you can get involved. You can also adopt a coral or a tree in the nursery, or even help them plant a coral thicket! I can’t wait to create some coral restoration-themed artwork to help support their efforts further.
I have a favour to ask of you: If you hear me saying “I know a quick little painting I could do! A jelly! How hard could THAT be?” please slap me and bring me to my senses. Because what was supposed to be a quick 8 x 10 study of a Pacific sea nettle seems to have taken me about a month and a half (in the little bits and pieces of time I’ve been able to make for painting around work and life stuff… I know, breaking my new year’s resolution dreadfully). It was very cute of me to think that it’d be simple. Painting an animal that is more than 95% water is actually a bit of a nightmare – the translucency was driving me nuts. I feel like I’ve learned a lot just from this, though, and of course it was fun to do another invertebrate.
Pacific sea nettles, so common they’re a nuisance off the Oregon coast, caught my interest because of their colours. You have to love the bright oranges and those gorgeous patterns on the bell. Glad I didn’t opt for painting those ~12 foot long tentacles though.